This sometimes leads to wish fullfilment, but in a Tropes Are Not Bad sense she deals with villains cathartically and gives long-suffering characters much needed breaks, but always in entirely logical ways that fit the plot without being Deus ex Machina. Although her work is occasionally angst, she is stated to prefer happy endings wherever possible. That said, her canon-verse characterization is absolutely spot on, especially for characters that change drastically throughout the plots, and is able to perfectly mimic their voices according to where they are in their timelines. Her AUs are fantastic, especially how she adjusts her characterization to reflect what theyve gone through in other universes a character as a high-school student acts differently to a character raised in a lab, and yet the author is able to keep them consistent enough to be recognizably the same. Comments: This author mainly writes Theon/Robb, although she has a fair amount of Brienne/Jaime, and has proven herself to be very good at gen fics.However, the style of the writing is good and the stories are enjoyable reads for the most part. They also tend to make Jon and the Starks behave in a dangerously stupid manner. DolorousEdditor writes very well stylistically, but their plotting is somewhat weak. Anyone enjoying novel-length stories in the ASOIAF universe should strongly consider reading any or all of his stories. Comments: Dolorous Edditor has a knack for epic-length canon-divergent or alternate universe stories, mostly focusing on Jon Snow but frequently including a tremendously large cast of POV characters.If you prefer quick one-shots, then Unbroken is also very compelling. Each of them is superbly well-written and emotionally gripping. In Good Company and The Distance are especially recommended if you want an ongoing canon divergence. The stories about Stannis are very intriguing and poignant. Comments: She writes surprisingly detailed psychological insights into the characters.
0 kommentar(er)
